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Category: Visual Art

Open doorway in white-walled gallery, with abstract and figurative paintings.
1Installation view of Dyani White Hawk: Speaking to Relatives. Kemper Museum of Contemporary Art, Kansas City, Missouri. Photo: E. G. Schempf.

Dyani White Hawk: Speaking to Relatives

Sheila Regan

The influence of Indigenous aesthetics on abstract painting, material hierarchies, and retelling histories

Tags: abstractionart historycraftindigenous artpainting

Queer Filth: A Roundtable

Aegor Ray, Valerie Oliveiro, Nailah Taman, Aggy K

Four queer artists reflect on cheapness, trash, and dirt as an exploration of survival

Tags: diygenderpandemicqueertrashvalue
The interior of Dreamsong’s gallery, which has white walls and a flat gray floor. This image, taken from the corner of the room, shows prints hanging on two adjacent walls, and a white table in the center of the room. On top of the white table is a short black box, opened, with prints stacked inside.
1Installation view of A Feather Plucked from its Bird, 2022. Photo courtesy Dreamsong.
Literature Visual Art
2-22-2022

Ache with Many

Drew Maude-Griffin
Person holding large soft pretzel stands in front of booth with baked goods, blue awning, and large multicolored letters reading FLOUR POWER.
1
Design Visual Art
1-19-2022

Baking and Dreaming in the Pandemic

Hannah Hendrix
Person with a bob haircut standing in front of three portraits of infants painted on brown shopping bags with red Target logos.
1Megan Rye with Sarah, Emily, and Glenn, 2019. Photo: Rik Sferra.
Visual Art
1-12-2022

The Stories Behind Foundling: 100 Days

Sheila Regan
Outline of human body marked "self," blurred from light blue to light yellow into empty oval marked "other."
1Fig. 1: Emily Dzieweczynski, 2021.
Visual Art
1-5-2022

Feeling Data: Aesthetic Empathy in Art and Science Collaborations

Emily Dzieweczynski
Woven cloth in pink, green, and blue stripes.
1Kehayr Brown-Ransaw, To Love Something More Than You Love Yourself, 2020. Photo: Rik Sferra.
Visual Art
12-30-2021

to love to work and to be in pain

Kehayr Brown-Ransaw
A photo portrait of Trista laying on her side on a chaise lounge, lit with red lighting.
1Trista Marie, untitled, November 2020. Photo: Nanne Sorvold.
Literature Visual Art
12-22-2021

Interdependence

Trista Marie McGovern
Blue patterned blanket lies on bed with gray bedspread with glass of water beside it.
1Photo: Lisa Loew.
Performing Arts Visual Art
12-17-2021

Documenting the End for a Beginning

Anna Marie Shogren
Alone in the House of Illness detail (3), a close up image of a child with red fingernails holding up a rubber duck in the bath, with most of their face cropped out of the frame, blurred from projection. Text reads “you took a hammer to my back and wrote a doctors note in bruises”
1Drew Maude-Griffin, Alone in the House of Illness, 2020. Documentation: Drew Maude-Griffin.
Visual Art
12-13-2021

In the Time of Radical Realness

Drew Maude-Griffin
Four people stand on either side of large painting with orange life raft in blue water.
1Original Royal Refugee art show. Photo courtesy the artist.
Design Visual Art
12-8-2021

Locating the Original Royal Refugee

Sheila Regan
Design Visual Art
12-3-2021

Three Cheers for Age Diversity and Deep Hanging Out

Nancy Nowacek
Black and white photo of herbs, paper, charcoal wrapped in plastic.
1Julie Tolentino, SENDING OUT THE SMOKE FOR FUTURE FIRES: across the ether, 2021. Photo: Julie Tolentino.
Performing Arts Visual Art
11-23-2021

Re: Writing for the Walker/Mn Artists

Julie Tolentino
Rust-colored, tufted mattress on gray floor.
1Rotem Tamir, ג'ראיה Mattress, 2020. Photo: Bradley Marshall.
Visual Art
11-9-2021

Jerayah: Making as a Catalyst for Remembering

Rotem Tamir

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