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Author: Juleana Enright Juleana Enright

Juleana Enright (they/them) is an Indigenous, queer, non-binary writer, curator, sound and theatre artist. They are an enrolled member of the Lower Brule Lakota Tribe. Juleana is the Gallery and Programs Coordinator at All My Relations Arts. Their past roles have included Culture Editor for l’étoile magazine and Communications Specialist for Gamut Gallery. They have contributed to local platforms, Pride Magazine, mplsart, Primer and City Pages. As an independent curator, Juleana has curated four art exhibitions and was a recipient of the Emerging Curators Institute 2020-21 Fellowship program. Juleana is a co-curator and co-founder of the multi-sensory queer dance and performance night, Feelsworldwide. In 2020, they were a participating artist in “Controlled Burn” at the Phoenix Theatre, where they exhibited, “To Wash the Native Out of Us” – an audio/visual installation on the history of Indian boarding schools.  Through their practice, Juleana strives to examine the act of daily creation in the midst of great chaos and explore what it means to be a contemporary 2spirit artist with a focus on Indigenous Futurism through art and performance.

TV on white wall showing film of ambiguous shapes in water
1Rindon Johnson, May the moon meet us apart, may the sun meet us together, 2021. Courtesy the artist.
Literature Moving Image Visual Art
1-16-2024

Glitching the Glass Wall: Formidable Static

Juleana Enright
1Artists in the gallery during a Conversation Lab meeting, published with article by Juleana Enright. Courtesy Public Functionary. Photo: Tricia Heuring.
Design Literature Moving Image Performing Arts Visual Art
11-15-2023

Does Art Need Words? Arts Writers on Arts Writing

Christina Schmid, Nicole Asong Nfonoyim-Hara, Juleana Enright
Digital drawing of 10 people wearing jingle dresses in bright colors, standing with hands on hips.
1Skawennati, Jingle Dancers Assembled from TimeTraveller™ series, 2011. Image courtesy the artist.
Design Moving Image Visual Art
6-9-2023

Glitching the Glass Wall: A Conversation with Skawennati

Juleana Enright
Digital drawing with horizontal stripe pattern in hot pink, pink, blue, and turquoise.
1Ohutkan:Genesis is generated from soundwave files of Dakota thunder and seed planting songs. These songs mark the beginning of the Dakota New Year, a time of rebirth and renewal, as well as honor the tradition of seed-keeping, which preserves ancestral memory, and takes on a new meaning in the digital age.
Design Performing Arts Visual Art
5-12-2023

Glitching the Glass Wall: A Conversation with Autumn Cavender-Wilson

Juleana Enright
Circle of people in an industrial studio/gallery with artwork throughout.
1Artists in the gallery during a Conversation Lab meeting. Courtesy Public Functionary. Photo: Tricia Heuring.
Visual Art
11-11-2022

Public Functionary: Sustainable Support, Collective Power

Juleana Enright
Dark room with projected pattern of purple and gold light, wash of red light on floor and wall, and two chairs in shadow.
1Rosy Simas, yödoishëndahgwa’geh (a place for rest), 2021. Image courtesy All My Relations Arts.
Moving Image Performing Arts Visual Art
9-18-2021

Circular Healing

Juleana Enright
Two figures, shaded by colorful hues of blue, green and pink, are seen floating in a cosmos linked together by a water-bearing object, one figure is wielding a flag. From their posture, slightly bent, they would appear to be elderly, ancestral. Around the figures two planets are connected by streams of blue line.
1Elizabeth LaPensée, Our Grandmothers Carry Water from the Other World (2016).
Design Literature Moving Image Performing Arts Visual Art
8-28-2020

Afro-Indigenous Futurisms and Decolonizing Our Minds

Juleana Enright
revolver at the ritz
1
Literature
12-30-2015

A Short Oral History of Revolver

Juleana Enright
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