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Category: Visual Art

23 paintings of plants on different surfaces in industrial space.
1Fidencio Fifield-Perez, dacament, 2016-present. Courtesy Night Club.

Places, Portals, and How to Look Wrong

Christina Schmid

An episodic journey through this summer’s art offerings in the Twin Cities, including exhibitions at Weinstein Hammons Gallery, Form + Content, HAIR + NAILS, David Petersen Gallery, Night Club, and Dreamsong

Tags: autobiographyceramicslandscapemythologypaintingPlacePrintmakingspectatorship
Two black and white portraits side by side, of people with medium dark skin and faces turned to camera with slight smiles.
1Leslie Barlow (left) and Sayge Carroll (right), 2022. Photo: Ajamu.

Portraits, Practice, Pleasure, and Process

Ego Ahaiwe Sowinski, Ajamu , Sayge Carroll, Leslie Barlow

A transatlantic conversation with Ajamu, Leslie Barlow, and Sayge Carroll: on the sensuousness of material and its potential to transform the experience of identity

Tags: bodyceramicsidentitymaterialpaintingpleasureprocesstransatlantic
1Emma Beatrez and Lee Noble. Photo: Paty Doh.
Visual Art
2-28-2025

Night Club III: ISO the Perfect Closet

Saulaman Schlegel
Charcoal drawing on wood panel of dark hole surrounded by grass
1ESO MALFLOR, Hole, 2024. Courtesy HAIR + NAILS.
Visual Art
12-13-2024

ESO MALFLOR Plays with Fire

Christina Schmid
Horse's head represented in motion with multiple outlines across the paper
1Michal Sagar, Between the Dream, 2024. Courtesy the artist.
Visual Art
10-25-2024

Dreams All the Way Down: On Sight Between

Brooks Turner
Large space with white walls, concrete floors, a large metal beam and post, and brown dowels spread and stacked at the base of the post
1K.R.M. Mooney, 12 : 0 14 : 0 16 : 0 16 : 1 17 : 0 18 : 0 18 : 2 18 : 3 20 : 1 , 2024. © Midway Contemporary Art. Photo: Caylon Hackwith.
Visual Art
9-30-2024

Tidepools in Transmutation: On reserves

Saulaman Schlegel
Photo from the back of a movie theater with ornate chandeliers, many people in seats and Arabic writing against a landscape on the screen.
1Solidarity Evening for Palestine at the Heights Theater. Courtesy Mizna. Photo: Makeen Osman.
Literature Moving Image Performing Arts Visual Art
9-24-2024

Practicing Solidarity, Living Values: A Conversation with Mizna

Aegor Ray
Person stands in front of wooden post using metal tool to inscribe in it.
1View of the exhibition, YOU SAY YOU LOVE ME AND I COMMIT TO FRICTION, 2024. Courtesy Public Functionary. Photo: Drew Arrieta.
Visual Art
9-19-2024

Shape Is a Promise: On YOU SAY YOU LOVE ME AND I COMMIT TO FRICTION

Sati Varghese Mac
View of a multimedia art exhibition in a dimly lit space with exposed wood beams
1View of the exhibition Saturday Mornings and The Faces We Remember, 2023. Photo: Rik Sferra.
Moving Image Performing Arts Visual Art
7-31-2024

Curator to Curator: Reflecting on Saturday Mornings and The Faces We Remember

Za'Nia Coleman
Large rectangle of metallic paper criss-crossed with blue tape and a colorful collaged triangle at the center, siting on a bed of moss.
1BakiBakiBaki, Stupa for the inner child/Gaia’s sanctuary, 2024. Courtesy the artist. Photo: Mason Paul Persons.
Visual Art
7-26-2024

Objects Talk, Spirits Talk, Ghosts Talk, Beings Talk: A Conversation with BakiBakiBaki

Aegor Ray
Person hanging in cocoon of braided fabric with only legs and crossed arms visible
1Prerna, Stretched, 2021.
Design Visual Art
5-29-2024

Prerna: Bureaucracy and Superstition

Melanie Pankau
Colorful paintings of flowers hung in a grid
1View of the exhibition Hazel Belvo: For Love, 2023-2024. Courtesy Minnesota Museum of American Art.
Visual Art
5-21-2024

For Love: Hazel Belvo at the M

Heid E. Erdrich
Colorful painted plaque reads "change is the one unavoidable irresistibly ongoing reality of the universe" with other small paintings surrounding
1Leeya Rose Jackson, Universal Change, 2022.
Design Visual Art
5-15-2024

Leeya Rose Jackson: Curiosity and Abundance

Yi Wang
Large rectangle made of black plastic molded trays of various shapes.
1Heather M. Cole, Landscape, 2024. Courtesy the artist.
Moving Image Visual Art
5-8-2024

Grief, Play, and Gleaning at the End of Empire: On Used

Elisabeth Workman

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