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Category: Visual Art

23 paintings of plants on different surfaces in industrial space.
1Fidencio Fifield-Perez, dacament, 2016-present. Courtesy Night Club.

Places, Portals, and How to Look Wrong

Christina Schmid

An episodic journey through this summer’s art offerings in the Twin Cities, including exhibitions at Weinstein Hammons Gallery, Form + Content, HAIR + NAILS, David Petersen Gallery, Night Club, and Dreamsong

Tags: autobiographyceramicslandscapemythologypaintingPlacePrintmakingspectatorship
Two black and white portraits side by side, of people with medium dark skin and faces turned to camera with slight smiles.
1Leslie Barlow (left) and Sayge Carroll (right), 2022. Photo: Ajamu.

Portraits, Practice, Pleasure, and Process

Ego Ahaiwe Sowinski, Ajamu , Sayge Carroll, Leslie Barlow

A transatlantic conversation with Ajamu, Leslie Barlow, and Sayge Carroll: on the sensuousness of material and its potential to transform the experience of identity

Tags: bodyceramicsidentitymaterialpaintingpleasureprocesstransatlantic
In a kids bedroom with stuffed animals an animated condom filled with red hearts floats in the air
1Jordan Wolfson, Still from Raspberry Poser, 2012. © Jordan Wolfson. Courtesy the artist, David Zwirner and Sadie Coles HQ, London. Photo: Jonathan Smith.
Visual Art
9-23-2022

The Vampire Is a Virus Is Desire: The Dark Blue and Other Posthuman Encounters

Christina Schmid
Hands holding up print with red design and gold seal above.
1Block print created by Peng Wu during one of the Jin Paper Burning events.
Design Visual Art
9-19-2022

Letter to My Father in the Other World Explaining Four Types of U.S. Visas

Peng Wu
1Experimental Sensory Collective v3, March 2022. Photo courtesy REM5.
Design Visual Art
9-14-2022

Apps as Collaborative World-Building

Sanaphay Rattanavong
Person wearing glasses looks into the viewfinder of a Bolex camera pointed at the viewer.
1Sam Hoolihan, 2022. Photo: Ray Shehadeh.
Moving Image Visual Art
8-29-2022

The Return of Analog Film in a Digital Age

Ray Shehadeh
A person stands to the side of an industrial post and spinning chain in a white-walled gallery corner
1Liz Larner, Corner Basher, 1988. Gaby and Wilhelm Schürmann Collection, Herzogenrath and Berlin. Photo by Eric Mueller, courtesy Walker Art Center, Minneapolis.
Visual Art
8-19-2022

Held in a Corner: Mater(iality) and Mater(nality) in Liz Larner’s Corner Pieces

Sheila Dickinson
Performer with bleached blonde hair and white makeup kneels with head back in front of drum set, with purple and blue lighting above.
1Performer at a Dark Energy event. Courtesy of Dark Energy. Photo: Caleb Timmerman.
Design Literature Moving Image Performing Arts Visual Art
8-8-2022

No Approval Required: Twin Cities Alternative Art Spaces

Jake Yuzna
Black and white photo of leafless trees, rocks, and single white plastic bag suspended in branches.
1Pao Houa Her, untitled, Mt. Shasta series, 2021-2022. Courtesy the artist and Bockley Gallery, Minneapolis; produced with support from the Walker Art Center.
Visual Art
7-25-2022

Paj Qaum Ntuj / Flowers of the Sky

Kao Kalia Yang
Yia Vang wears gray Bogart's Doughnut Co. t-shirt and gestures in front of kitchen island with many ingredients.
1Photo: Uche Iroegbu.
Visual Art

Boiled Pork, Hmong Greens, and Persistence

Mecca Bos
Person with dark skin and slightly open mouth, photo cropped between their top lip and their throat.
1Allison Bolah, No Accident, 2012. Video still. Courtesy the artist.
Literature Visual Art
7-8-2022

Noting the Throat/La garganta, anotada

Alcibíades Elián
Collage with rectangular cuts of pink roses and fractal patterns over blue and white waves.
1Akiko Ostlund, Umi No Uta 1, 2022.
Performing Arts Visual Art
7-1-2022

Song of the Sea/うみのうた

Akiko Ostlund
Two people with dark hair smile at the camera, green wall behind them and the outside halves of their faces cropped from the frame.
1Xiaolu and Chris, Minneapolis, 2010. Photo: Hu Chen.
Visual Art
6-22-2022

Strange Intimate Archive

Chris Zhongtian Yuan
Grid of many photos of pine trees, with blue and gray skies.
1Ben Moren, Reference Ecosystem: Lost 40, 2021. Courtesy of the artist.
Visual Art
6-10-2022

Ghost Pines: The Haunted Forests of a Machine Learning Dataset

Everest Pipkin

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