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Series:

Series: Dream/BedGuest Editor
Katya Oicherman
Series: Dream/BedGuest Editor
Katya Oicherman
Series: Dream/BedGuest Editor
Katya Oicherman
Series: Dream/BedGuest Editor
Katya Oicherman
Series: Dream/BedGuest Editor
Katya Oicherman
Series: Dream/BedGuest Editor
Katya Oicherman
Series: Dream/BedGuest Editor
Katya Oicherman
Series: Dream/BedGuest Editor
Katya Oicherman
Series: Dream/BedGuest Editor
Katya Oicherman
Series: Dream/BedGuest Editor
Katya Oicherman

In a recent online survey designed to learn of people’s strangest behaviors while in self-isolation during the COVID-19 pandemic, respondents around the world mentioned sleep. Some acknowledged that the pandemic was helping them compensate for the sleep deficit they had been suffering, often without recognizing it. For others bedtime was an escape plan. One respondent confessed, “I have never slept as much before…I felt I needed to sink into this hibernation, and then all of this would end somehow…but it just wouldn’t end.”

Recent studies of sleep have shown how within a capitalist ideology of infinite economic growth, the aggressive global inculcation and glorification of sleeplessness as a sign of productivity and prowess have resulted in irreversible damage to the physical and mental health of entire nations. Maybe it takes a pandemic to begin to understand and appreciate the indispensable preciousness of a peaceful bedtime. The debasement of rest and the refusal to sleep (to take a break, to reflect, to dream) facilitated the relentless exploitation of natural resources and people—our global nightmares today. The industrial revolution wreaked havoc on the natural world and on human rest time, but—ironically—it provided almost everyone with a sheet to sleep on. 

Bed, in its multiple shapes, is a place where we spend a substantial part of our life time. It is an answer to a basic necessity, a place where we sleep, but also a place where we are commonly born and give birth, lie in sickness and die, make love, dream and have nightmares, relax or lie restless, being visited by the troubled conscience or insomnia. It is a lonely place and a shared place, and often crucial discussions happen there, on the verge of falling asleep. Imagination and memory both go astray in bed, often in bed we read and watch movies. The absorbent material of sheets and covers metaphorically bears maps of our mental voyages, those we’ve experienced, those we’ve imagined and those we’ve read about or have seen on the screen. 

This project addresses this complexity of human sleep and its material attendants by seeking diverse local voices of artists, writers and cultural activists to capture the contemporary, urgent and immediate state of sleeping and being in bed, offering reflections on their recent experiences, creative processes, stories, histories, and dreams.

Loosely folded off-white textile.
1Homespun, hand sewn linen sheets with cross stitch embroidery; ca.1880s; Minnesota Historical Society material collections; num. 63.123.24. Photo: Katya Oicherman.
Visual Art
9-15-2021

Plied in Bed

Katya Oicherman
Person with dark skin and head wrapped in blue towel sits in bed full of books, holding up a book whose cover reads "GRIEF AND GRIEVANCE."
1Amoke Kubat. Photo: Ego Ahaiwe Sowinski.
Literature Moving Image Visual Art
9-20-2021

Nesting in the Struggles of Unrest

Amoke Kubat
Watercolor of red anatomical heart dripping blood, surrounded by pink flowers with red root system.
1Gluklya, Who has a bigger wound?, 2021.
Literature Visual Art
9-27-2021

Letters to the Doctor

Natalya Pershina-Yakimanskaya (Gluklya)
Drawing of figure with white dress and long black hair holding onto a small train. Seven round signs float in yellow and gray background.
1Peng Wu, In Between Sleep and Wake, 2021.
Literature
10-6-2021

Meditation on Sleep

Yuko Taniguchi
Dyed textile with blue sky, green prairie, red sun, and red strip on horizon in mottled pattern.
1Gwen Westerman, Wildfires Up North; 2015. Photo courtesy the artist.
Literature Visual Art
10-15-2021

Creating a Space for Dreams

Gwen Westerman
Green tent pitched on small island in muddy riverbed, with brown leafless trees.
1One of the tents pitched in the Mississippi River bottoms during Stop Line 3 actions, spring 2021. Photo: Shanai Matteson.
Literature Visual Art
10-26-2021

River Bed

Shanai Matteson
Rust-colored, tufted mattress on gray floor.
1Rotem Tamir, ג'ראיה Mattress, 2020. Photo: Bradley Marshall.
Visual Art
11-9-2021

Jerayah: Making as a Catalyst for Remembering

Rotem Tamir
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