Imaginary Conversations with Mary Overlie
On the passing of a mentor and how art lives after dying
IMAGINARY CONVERSATION BETWEEN ME AND MARY, written december 20, 2019
Setting: A phone call. Split screen of Erin cross-legged on her bed in Minneapolis, a cell phone pressed to her ear. Mary is sitting at a desk in her home in Bozeman, Montana, a wide picture window behind her showing the mountains and sky. LIST OF CHARACTERS ERIN, Age 38, choreographer, writer, and mother of two. MARY, Age 73, choreographer, dancer, teacher, Viewpoints, etc.
erin
Here in Minneapolis, we have a few spaces. Cold in the winter, but bright in the sun. Wood floors, brick walls…you know the type.
mary
Yes, reminds me of the Lower East Side, Alphabet City, all those spaces. We would just live in complete squalor.
erin
Yes, it always reminded me of grunge…
mary
Yes, it was very grungy.
erin
No, I mean the grunge movement, like alternative music, bands from Seattle. The flannel shirts and ripped jeans and all that. Dirty, greasy hair.
mary
We just wore sweatpants and literally danced all day. Sometimes I would just eat cold lentils once, and then fall asleep.
erin
Yes, I knew you all were skipping the cheesy potatoes, partially hydrogenated oils, and high fructose corn syrup.
Mary
Yeah, they didn’t have that shit back then, excuse me, but that shit.
erin
Oh, I know. You can see it in the black and white pictures.
mary
What do you think of dancing in socks?
erin
I’m just afraid I’ll slip and hurt my back. It’s not as if I have a physical practice. Unless you count yoga once every two weeks.
mary
I don’t.
erin
Nobody really does.
mary
Well, what did you expect? All your energy must go to your children. Two of them, my goodness! Why didn’t you tell me?
erin
I didn’t want to interrupt the art conversations.
mary
Really, Erin! I just assumed you were more like me, fully committed.
erin
Nope. I mean, I want to be more—hence, the bringing you here. Oh, who am I kidding, it was really Jeff’s idea. He’s got more of a head for planning. I just sit around wondering where I went wrong. How do you have confidence in yourself?
mary
[laughing] Oh, I don’t! I don’t. I just try not to think about it.
erin
But if you start writing, then don’t you think about it?
mary
Yes, that’s right. Rosemary told me you were a writer. And then it all made sense to me, your thinking. But I am not a writer. [laughing]
erin
I just think dance and writing are very similar, the way you have to face yourself. And I am not my kindest friend.
mary
Yes, I have a different relationship with myself than you. I was always so separate from others, so interested in the natural world and how things worked. And so it made sense to just leave home, and strike out on my own, completely.
erin
Economically, things were different back then. I mean you could live in New York on $150 a month. And you could earn that working for pennies, literally pennies.
mary
Yes, we didn’t have to pay rent because we were basically squatting. The landlords actually appreciated us being there because, to some degree, we kept crime out of their abandoned lots. So even if they started charging us, it wasn’t very much.
erin
Yes, I saw RENT.
mary
Well, was that grunge?
erin
No, that was not grunge.
mary
But they were wearing flannels…
erin
It is decidedly not grunge.
mary
I don’t really like musicals.
erin
I only like certain ones.
mary
Which ones?
mary
Which ones?
erin
I can’t really think of any anymore.
mary
I don’t really like reading “lines.” It is just not something I have experience with.
erin
But you wouldn’t have wanted an actress to play the part of Mary Overlie!
mary
[laughs] Oh, wouldn’t that have been weird? No, I don’t think most actors really get—they don’t receive Viewpoints training the way dancers do.
erin
If at all. They are very accustomed to imaginary circumstances.
mary
I don’t really read plays. I don’t understand why you would start with that. When so little is really known, plays seem to sort of claim that they know everything.
erin
How people talk and walk and all that.
mary
Yes. They assume that we have legs for walking on, and mouths for talking with.
erin
And we should probably wear clothes.
mary
Right…and eat, and sit, and gesture.
erin
Oh God, the gesturing. And if they know they’re in a comedy, it’s already ruined.
mary
Is this a comedy?
erin
No!
mary
Good.
erin
But they would play it that way. And then they would get glowing reviews for their spritely turn.
mary
Yes, yes, they call it a turn.
erin
Like, “turn on me.” A betrayal. An accepted betrayal. A Joyfully Welcomed Betrayal. The American Theater.
Mary
But I think we both feel comfortable enough ignoring the theater from here on out. We are not in one; we are in a dance studio. Invited, yes, but removed. So why dwell on it?
erin
Theater is the playacting of life. Art is the escape. Something like that.
mary
Yes, but not an escape, so much as the whole purpose of being alive. It really is.
erin
Well, that, and keeping others alive. Small others.
mary
Right, right. That must be a trip.
erin
It’s the most unpredictable cliche. Ups and downs, all that. Emotion at every turn. And peace and comfort and cuddles, and messiness and failures everywhere. And exhaustion. I could go on and on. But we came here to talk about art.