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Series:

Series: Afro-Indigenous FuturismsGuest Editor
Juleana Enright
Series: Afro-Indigenous FuturismsGuest Editor
Juleana Enright
Series: Afro-Indigenous FuturismsGuest Editor
Juleana Enright
Series: Afro-Indigenous FuturismsGuest Editor
Juleana Enright
Series: Afro-Indigenous FuturismsGuest Editor
Juleana Enright
Series: Afro-Indigenous FuturismsGuest Editor
Juleana Enright
Series: Afro-Indigenous FuturismsGuest Editor
Juleana Enright
Series: Afro-Indigenous FuturismsGuest Editor
Juleana Enright
Series: Afro-Indigenous FuturismsGuest Editor
Juleana Enright
Series: Afro-Indigenous FuturismsGuest Editor
Juleana Enright

“Indigenous art is often perceived as resistance when, in fact, it is our very existence which is an act of resistance.” – Elizabeth La Pensée

 

A parallel to Afrofuturism, Indigenous Futurisms (a term which Dr. Grace Dillon coined in her book Walking the Clouds: An Anthology of Indigenous Science Fiction) is a reclamation of Indigenous sovereignty from mainstream media. Transcending past/present/future, it imagines a world where colonization hasn’t disrupted the civilization of Indigenous people and the representation of Indigenous people hasn’t been skewed in favor of the colonial project. In this body of work, dripped in blood memory, I strive to place Black and Native narratives and agency at the forefront, gesturing toward collective acts of resistance amid present-day nefarious modes of systemic racism. By creating a glimpse of who came before us, we address the intertwined Afro-Indigenous histories of colonized life and demand futures of decolonization in art and community.

 

Juleana Enright is an Indigenous, queer, non-binary writer, curator, and DJ living in Minneapolis. They are a member of the Sicangu Lakota Tribe of Lower Brulé, South Dakota. Their past roles have included culture editor for l’étoile magazine and communications specialist for art space, Gamut Gallery. They have contributed to local platforms Pride Magazine, mplsart.com, Primer, and City Pages. Juleana has curated two art exhibitions, including solo curatorial show in the spring of 2018 titled, “Soft Boundaries,” which explored how the vulnerable narrative can be used as a an act of resistance, liberation, and healing. They have been awarded a fellowship from mnartists.org and worked with KFAI Radio to create audio documentaries centered on community stories. Juleana has mentored for the DJ-U program, a MPLS-based nonprofit workshop series by and for femme, trans & non-binary POC, and is the co-curator and co-founder of the multi-sensory queer dance and performance night, Feelsworldwide. In 2019, Juleana co-directed Lightning Rod, a week-long works-in-process theatre initiative. In 2020, they were a participating artist in Controlled Burn, where they exhibited an audio/visual installation in collaboration with photographer Dom Laba, “To Wash the Native Out of Us,” on the history of Indian boarding schools through the lens of family experiences.

Two figures, shaded by colorful hues of blue, green and pink, are seen floating in a cosmos linked together by a water-bearing object, one figure is wielding a flag. From their posture, slightly bent, they would appear to be elderly, ancestral. Around the figures two planets are connected by streams of blue line.
1Elizabeth LaPensée, Our Grandmothers Carry Water from the Other World (2016).
Design Literature Moving Image Performing Arts Visual Art
8-28-2020

Afro-Indigenous Futurisms and Decolonizing Our Minds

Juleana Enright
IMG-7558
1Commarrah Bashar, Occupied Ancestor: Standing Cedars in Early Translight (2020)
Literature Performing Arts
9-7-2020

Elulin

Qamar Yochanan
A painting of the George Floyd mural remade with a white figure in the center and text reading "THE BLACK EXPERIENCE VIA THE WHITE GAZE". Additional text reads, “Centering white voices around Black trauma does not allow for the accurate representation of our experiences or the accurate documentation of our history.”
1Maiya Lea Hartman, The Black Experience via the White Gaze (2020).
Visual Art
9-14-2020

The Black Experience via the White Gaze

Maiya Hartman
1200px-Spider_web_Teruel
1
Literature Visual Art
9-18-2020

Stars in My Mind Like Pockets of Decay

Aegor Ray
A collage featuring three tarot cards in the left corner: the Four of Pentacles, Five of Cups and the Wheel of Fortune. In the right corner there is light-skinned black femme with teary eyes and the words "The EARTH inside you was stolen from me" written across their forehead. The bottom of the collage is various types of foliage and a path surrounded by trees. In the bottom right the phrase "i still say your name when i pray" is repeated three times.
1Image courtesy of the author.
Literature Performing Arts
10-14-2020

In the face of Black death, I perpetually find myself slipping into an alternate dimension

Teighlor McGee
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