Anyone who has crossed the footbridge over I-94 between the Walker Sculpture Garden and Loring Park has read the prose poem there. Affixed in mailbox lettering along the topmost girder, one can’t help reading it as one traverses, looking up the whole way as the poem ladders forth in sections, in phrases, from approach to landing, the traffic rushing like a river below. Surely the poem calls forth different responses from everyone who reads it, but few are left untouched by its words, especially the last line—“and then it got very cool”—a line that departs from the poem so entirely it seems almost to peel from the blue and yellow enamel of the bridge and ascend into the atmosphere.
As a New Year’s gift to our city, Motionpoems—the world’s only poetry film company—hired local filmmakers Nick and Chris Libbey to adapt John Ashbery’s untitled prose poem on the bridge into a short film. Here it is. A new approach and a new landing for a much-loved literary landmark.
And now I cannot remember how I would have had it. It is not a conduit (confluence?) but a place. The place, of movement and an order. The place of old order. But the tail end of the movement is new. Driving us to say what we are thinking. It is so much like a beach after all, where you stand and think of going no further. And it is good when you get to no further. It is like a reason that picks you up and places you where you always wanted to be. This far, it is fair to be crossing, to have crossed. Then there is no promise in the other. Here it is. Steel and air, a mottled presence, small panacea and lucky for us. And then it got very cool.
Copyright © 1988, 1992, 2000, 2007 John Ashbery
First published in Hotel Lautréamont (Knopf, 1992)